What they all had in common is their obsessive convictions and their marginal relationship to orthodox art and architecture the Watts Towers in Los Angeles were not unlike Gaudi's Sagrada Familia in their mad-builder concentration. What is interesting about this and where it comes back to Nick Cave and Soundsuits is that these projects cannot be included under the patronising rubric of outsider art: Nick Cave is firmly in the centre of American art production, and Heidelberg is a well-documented. Nick Cave, Soundsuit 1, socks, paint, dryer lint, wood, wool, 2006. Last week Gloria Steinem
in an interview on Q said it takes about a hundred years for a social change to really become an embedded part of the social fabric. Soundsuits' references are wide and deep, they are sculptures, costumes, installations. . They appear in performances and in art museums. I lived in the middle of Kansas for a year, my first teaching gig, and spent a lot of time driving back country roads and finding installations of what was known as folk art then, outsider art now. . Nick Cave, not the singer, but the artist from Missouri who was with Alvin Ailey American Dance Theater and is now director of the fashion program at the Art Institute of Chicago. . Second wave feminism is about 40 years old and so, no, we are not in a post-feminist era, we still have 60 years of feminist struggle ahead. . We are only now starting to find work that is embedded in the orthodoxy of contemporary art discourse: it is not post-racial, for it is so very African American, an identity that is critical to the work. .
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The civil rights movement in the USA happened in the 1960s, just 50 years ago. . And because this is an economically challenged place, such transformations inevitably are done with discarded and then re-found materials: the essence of folk art: all invention, no money. More recently, Tyree Guyton's, heidelberg project in Detroit has rejuvenated a despairing neighbourhood by saying, your house is yours, make it into something that is you. . They are assemblages, they make sounds, they refer historically to various African ceremonial garments. .
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